Sailor Moon #8 on New List from Mania.com!
On Tuesday, Mania.com posted a brand new top ten list – “10 Great Out of Print Anime We Want Back“, and Sailor Moon is #8 (Image Credit: © Mania/Bob Trate). We agree with a lot of the titles on this list too, but Sailor Moon always gets the top spot with us! The segment reads:
The consummate “magical girl” title, Sailor Moon was to girls in the ‘90s what Dragon Ball was to boys, and for a while was every bit as popular. Usagi Tsukino (Serena in the English dub) is a typical school girl until she meets Luna, a talking cat who helps her unlock her dormant powers, fighting as Sailor Moon, to defend Earth from the Dark Kingdom. Though Sailor Moon was aimed at teenage girls, its mix of common shonen fighting tropes and magical romanticism gives it a wide appeal; it is an early example of a series aimed primarily at females with strong, female protagonists who are able to be leaders, and it helped spawn other popular titles such as Wedding Peach and Revolutionary Girl Utena (another missing title). A recent resurgence in popularity in Japan has renewed interest worldwide, but it seems strange everything Dragon Ball gets constant re-releases while Sailor Moon was allowed to disappear.
And may we add Dragon Ball Z? It seems to us that there has been a lot of Dragon Ball and Dragon Ball Z related releases in the last year. We couldn’t have agreed with that comment more.
Bryan Bullard Choreographs New Commercial for Pompea Which Contains Choreography Inspired by Sailor Moon!
What hasn’t Sailor Moon inspired? This sighting had us all asking that question! Last week, we read an interview with an model/actress from Italy named Alessia Piovan. She played an Italian actress trying out for a part in the recent movie Nine. The first question asked had something to do with a new lingerie commercial she just shot, and our favorite superhero:
How was it shooting this spot for Pompea, in which you are shown as a ballet-style cartoon (Note: inspired by Sailor Moon, according to the choreographer Bryan Bullard) in the middle of an office?
The rehearsals caused me to hallucinate, because on the first day I spent two hours jumping continuously and my legs were destroyed. But, it was fun, it was a good experience!
We were intrigued, and sent our roving Italian correspondent Light an email, wondering if such a commercial had hit the airwaves. Yesterday, he told us that SailorMoonWorld.it had a post about the commercial, and lo and behold, we found a press junket about it for you all to watch. However, given that this is a lingerie commercial and we probably have a lot of younger moonies reading this site (since Sailor Moon is gaining popularity again), we’re sticking the link after the jump. We’ll also warn you that the quality is terrible, but we’ll post a better brightened and contrasted teaser for you. Here is model/actress Alessia Piovan posing just like Sailor Moon:
And Finally, A Word From Hiro!
Animefun has posted a new article with some words from Hiro! The big reason for the delay of the re-broadcast from January to March is because there was a delay in Mediaset getting the video. But there will be no video censorship (so stop your complaining Vera Slepoy, and let the fans have their day). The show will air 7 days a week at 5:35 and 9:30 – and it is on the schedule! Please, let nothing stop Sailor Moon from coming back on the air again. Everyone in Italy, please tell your friends and everyone you know to watch and show Toei how much Italy loves Sailor Moon!
The other pieces of good news? The episodes are going to air in the correct order, instead of the mangled order they aired during the first run. There will be two-minute commercial breaks during the show, but when the show airs on Italy 1 in the Fall, these will be reduced to breaks that last anywhere from a minute to 80 seconds. Congratulations to our readers in Italy – only a few more sleeps till Sailor Moon is back on the air again, and we wish we could see all your happy faces!
Ready to see the commercial?
Click here to watch it. The commercial is shown in its entirety, but in shambles among interviews with the director, choreographer, and actors.